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Instrumental: A Memoir of Madness, Medication and Music by James RhodesJames Rhodes passion for music has been his absolute lifeline. It has been the thread that has held him together through a life that has encompassed abuse, breakdown and addiction. Listening to Rachmaninov on a loop as a traumatised teenager or discovering an Adagio by Bach while in a psychiatric ward - such exquisite miracles of musical genius have helped him survive his demons, and, along with a chance encounter with a stranger, inspired him to become the renowned concert pianist he is today. This is a memoir like no other: unapologetically candid, boldly outspoken and surprisingly funny - James prose is shot through with an unexpectedly mordant wit, even at the darkest of moments. An impassioned tribute to the therapeutic powers of music, Instrumental also weaves in fascinating facts about how classical music actually works and about the extraordinary lives of some of the great composers. It explains why and how music has the potential to transform all of our lives.
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Toddlers' Prosocial Behavior: From Instrumental to Empathic to Altruistic Helping
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The study explored how the meaning of prosocial behavior changes over toddlerhood. Sixty-five and month-olds could help an adult in three contexts: instrumental action-based , empathic emotion-based and altruistic costly. Children at both ages helped readily in instrumental tasks. For month-olds, empathic helping was significantly more difficult than instrumental helping and required greater communication from the adult about her needs. Altruistic helping, which involved giving up an object of the child's own, was the most difficult for children at both ages. Findings suggest that over the second year of life, prosocial behavior develops from relying on action understanding and explicit communications to understanding others' emotions from subtle cues. Developmental trajectories of social-understanding and motivational components of early helping are discussed.
Educational Studies in Mathematics. The availability of technology in the mathematics classroom challenges the way teachers orchestrate student learning. Data consisted of videotapes of 38 lessons taught by three teachers, who also provided information on their views through questionnaires and interviews. Qualitative analysis of these data led to the identification of orchestration types and teacher profiles. The orchestration preferences of the three teachers proved to be related to their views. A detailed analysis of one exemplary episode suggests how other theoretical perspectives might complement the theory of instrumental orchestration. It is problematic, as teachers who do not perceive the use of technology in their teaching as valuable for their educational goals are able to avoid it, unless explicitly required to do so by institutional or curriculum constraints.
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The genre features a distinctive record production style, drum machine -backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance -inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Richard J. The synthesizer-heavy rhythm tracks of new jack swing were replaced by grittier East Coast hip hop -inspired backing tracks, resulting in a genre labeled hip hop soul by Mary J. Blige and producer Sean Combs who also had mentored group Jodeci in the beginning and helped them with their unique look.