Six acres and a third
Six Acres and a Third: The Classic Nineteenth-Century Novel about Colonial India by Fakir Mohan SenapatiThis sly and humorous novel by Fakir Mohan Senapati—one of the pioneering spirits of modern Indian literature and an early activist in the fight against the destruction of native Indian languages—is both a literary work and a historical document. A text that makes use—and deliberate misuse—of both British and Indian literary conventions, Six Acres and a Third provides a unique view from below of Indian village life under colonial rule. Set in Orissa in the 1830s, the novel focuses on a small plot of land, tracing the lives and fortunes of people who are affected by the way this property is sold and resold, as new legal arrangements emerge and new types of people come to populate and transform the social landscape. This graceful translation faithfully conveys the rare and compelling account of how the more unsavory aspects of colonialism affected life in rural India.
Men-Women Relationship in Fakir Mohan’s Six Acres and a Third and G Mohanty’s Paraja
Colonialism, Modernity, and Literature pp Cite as. In a few deft brushstrokes he traces the rise of a man to a position of wealth and eminence and the fall of his only son to a state of penury and disgrace. The father, Gopala, is a village orphan who is the product of a traditional value system. A rich businessman picks him up and takes him to the city as a domestic servant. The boy worms his way through various odd jobs to become his chief confidante and business partner by sheer hard work, honesty, simplicity, and intelligence, the values traditional wisdom bequeaths to a person who is willing to learn.
Six Acres and a Third is a 19th-century Indian novel by Fakir Mohan Senapati ( –), published in an English language translation by the University of.
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Written long before the October Revolution in Russia , the book is the first Indian novel to deal with the exploitation of landless peasants by a feudal Lord in British India. Its author is known as the "Father of Modern Oriya Literature ". It tells a tale of wealth and greed, of property and theft. On one level it is the story of an evil landlord, Ramachandra Mangaraj, who exploits poor peasants and uses the new legal system to appropriate the property of others. But this is merely one of the themes of the novel; as the text unfolds, it reveals several layers of meaning and implication.