Self portrait between the clock and the bed
Edvard Munch: Between the Clock and the Bed by Gary GarrelsA penetrating reassessment of Munch’s memorable painting and profound artistic legacy
This engaging book offers a fresh look at the exceptional works of Edvard Munch (1863–1944) by examining them in the light of his precarious mental state. Following a nervous breakdown in 1908, Munch underwent electroshock therapy, which prompted a marked change in his art work. The haunting Self-Portrait between the Clock and the Bed, finished one year before his death, represents a culmination of the themes of mortality, isolation, and anxiety that he explored repeatedly, and provides, in these pages, a perfect lens through which to view the artist’s entire oeuvre. Informative essays consider Munch’s position in the art world, his conception of self as a means of experimentation, and the psychological content of his paintings, while a previously unpublished foreword by the celebrated Norwegian novelist Karl Ove Knausgaard offers a new perspective on Munchs life and work. Featuring over 40 masterworks from throughout the painter’s career, and an illustrated chronology that traces the progression of his emotional state and its influence on the images he created, this is an intimate, provocative study of an enigmatic artist and his remarkable legacy.
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It also calls into question certain long-held myths surrounding Munch—that his work declined in quality after his nervous breakdown in —9, that he was a commercially naive social outsider, and that he had only a limited role in the development of European modernism. The present volume aims to rebut such misconceptions by freshly examining this enigmatic artist. In the preface, the renowned novelist Karl Ove Knausgaard considers Munch as a fellow creative artist and seeks to illuminate the source of his distinctive talent. They also reveal that Munch has been an abiding inspiration to fellow painters, both during his lifetime and up to the present; artists as varied as Jasper Johns, Bridget Riley, Asger Jorn, and Georg Baselitz have acknowledged his influence. Gary Garrels is Elise S. Sheena Wagstaff is Leonard A. Karl Ove Knausgaard is the author of the best-selling series of novels My Struggle.
In many of his self-portraits Munch depicts himself as ill, pitiable and lonely but without any form of sentimentality. In Self-Portrait between the Clock and the Bed he depicts himself without any attempt to hide the fact that he is old — albeit not without an element of defiance in the face of the death which awaits him. With the stance of an old man he places himself between the two symbols of death - the clock and the bed. Here he stands, on the threshold of the sun-lit room behind him, full of works of art which have been his whole life, and the bedroom, where the shadow on the floor in front of him has the shape of a cross. Title: Self-Portrait. Self-Portrait in Hell Depicts similar person.
In many of his self-portraits Munch depicts himself as ill, pitiable and lonely but without any form of sentimentality. The artist looks his own life in th.
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In fact I bought a poster of that exhibition, the design of which includes a copy of The Scream ; it is hanging in my study as I write this. Some of the works are so powerful as to be almost unbearable to look at. This is a painting called Red Virginia Creeper , a plant that grows on my house in fact, but which in this case has transformed into a dripping bloodstain behind the crudely drawn but obviously bewildered figure in the foreground. But the most powerful works by Munch were made later in his life. He was born in years before me and suffered a complete nervous breakdown in Here is a self-portrait called The Night Wanderer , showing himself as a gaunt insomniac figure wandering around a darkened house:. Then, right at the end of the exhibition, is his most moving work of all.