Martianus capella the marriage of philology and mercury
Martianus Capella and the Seven Liberal Arts, Vol. II: The Marriage of Philology and Mercury by Martianus CapellaMartianus Minneus Felix Capella was a Latin prose writer of Late Antiquity (fl. c. 410–420), one of the earliest developers of the system of the seven liberal arts that structured early medieval education. His single encyclopedic work, De nuptiis Philologiae et Mercurii (On the Marriage of Philology and Mercury, also called De septem disciplinis On the seven disciplines) is an elaborate didactic allegory written in a mixture of prose and elaborately allusive verse.
Martianus often presents philosophical views based on Neoplatonism, the Platonic school of philosophy pioneered by Plotinus and his followers. Like his near-contemporary Macrobius, who also produced a major work on classical Roman religion, Martianus never directly identifies his own religious affiliation. Much of his work occurs in the form of dialogue, and the views of the interlocutors may not represent the authors own.
The marriage of Philology and Mercury
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Part of a detailed compendium of late-Roman learning in each of the seven liberal arts, set within an amusing mythological-allegorical tale of courtship and marriage among the pagan gods. The text provides an understanding of medieval allegory and the components of a medieval education. Read more Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. Finding libraries that hold this item
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History of Science - Roman Science - 6.3 Later Roman Science
It is well known that the Carolingian royal family inspired and promoted a cultural revival of great consequence. The courts of Charlemagne and his successors welcomed lively gatherings of scholars who avidly pursued knowledge and learning, while education became a booming business in the great monastic centres, which were under the protection of the royal family. Scholarly emphasis was placed upon Latin language, religion, and liturgy, but the works of classical and late antique authors were collected, studied, and commented upon with similar zeal. De nuptiis and its exceptionally rich commentary traditions provide the focus of this volume, which addresses both the textual material found in the margins of De nuptiis manuscripts, and the broader intellectual context of commentary traditions on ancient secular texts in the early medieval world. Thanks to the editors and contributors we know a great deal more about the Oldest Gloss Tradition and its makeup. The collection deserves to be read by every student of Carolingian intellectual history.