How to tell a real faberge egg
Faberges Eggs: The Extraordinary Story of the Masterpieces That Outlived an Empire by Toby FaberBetween 1885 and 1916, Carl Faberge made fifty fabulous jewelled eggs - Easter presents from Russias last two emperors to their wives. They have become the most famous surviving symbols of the Romanov Empire: supreme examples of the jewellers art, but, to some, the vulgar playthings of a decadent court on the brink of revolution. Every one of these masterpieces is a slice of history, with each telling its own remarkable story. Commissioned to produce a different egg every year, Faberge began a relentless search for novelty. It would see him exploiting, and extending, almost every jewellery technique and style available, creating eggs which reflected the lives and characters of the empresses who would receive them. Lavishly extravagant eggs commemorate public events that now seem little more than staging posts on the march to revolution. Others contrast the joie de vivre of the older tsarina, Marie Fedorovna, with her daughter-in-law Alexandras shy and domestic spirituality. The muted austerity of the final few eggs seems all too appropriate for a country fighting to survive in the First World War. The abdication of the last tsar, Nicholas II, brought the sequence to an end. As he and his family were brutally massacred in a Siberian basement, the eggs disappeared, only to emerge years later in the storerooms of the Kremlin. Their subsequent history encompasses Bolsheviks and entrepreneurs, tycoons and heiresses, con-men and queens. Eggs have been sold and smuggled, stolen and forged. Now, as they return to Russia, bought by oligarchs, their history - like that of Russia itself- seems to have come full circle. Faberges Eggs provides an engrossing, compelling and at timessurprising window onto the empire these masterpieces outlived.
How Do You Distinguish Between a Faberge Egg Replica and the Real Thing?
Before you can start bidding, we need some additional information. His young wife, Maria Flodorovna was born Dagmar of Denmark, but was sent away from her family for an arranged marriage to the Tsar of Russia. Feeling alone and in a foreign land, Maria suffered from homesickness and depression. Maria was delighted with the exquisite egg and so it became a tradition that the eggs would be made, two each year, as gifts for the wives and mothers of the aristocracy. A happy Easter indeed! Some are in private collections, some are in museums and some have vanished without a trace.
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How can you tell the real thing from the fakes? Well, this can be either very simple or very complicated. A lot depends upon how good the fake is. Under the Soviets, citizens were forbidden to own jewelry and expensive bibelots. Many of the pieces were confiscated and simply melted down for their metal.