Firehouse by david halberstam chapter summary

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firehouse by david halberstam chapter summary

Firehouse by David Halberstam

One of Americas most distinguished reporters and historians offers the deeply moving personal story of Engine 40, Ladder 35 -- located on the West Side of Manhattan near Lincoln Center -- and the absolute sacrifice its firefighters made on September 11, 2001.

On the morning of September 11, 2001, two rigs carrying thirteen men set out from this firehouse: twelve of them would never return.

Firehouse takes us to the epicenter of the tragedy. Through the kind of intimate portraits that are Halberstams trademark, we watch the day unfold--the men called to duty while their families wait anxiously for news of them. In addition, we come to understand the culture of the firehouse itself: why gifted men do this; why, in so many instances, they are eager to follow in their fathers footsteps and serve in so dangerous a profession; and why, more than anything else, it is not just a job, but a calling.

This is journalism-as-history at its best, the story of what happens when one small institution gets caught in an apocalyptic day. Firehouse is a book that will move readers as few others have in our time.
More than 6 years after his death David Halberstam remains one of this countrys most respected journalists and revered authorities on American life and history in the years since WWII. A Pulitzer Prize-winner for his groundbreaking reporting on the Vietnam War, Halberstam wrote more than 20 books, almost all of them bestsellers. His work has stood the test of time and has become the standard by which all journalists measure themselves.
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David Halberstam's The Fifties: "The Fear and the Dream" Part 1

"In an America where the job of inflating the reputations of people with negligible larger social value has become a major growth industry," David Halberstam.
David Halberstam

Questions?

Instead, what they want most is the respect of their peers. It also chronicles the story of the group's lone but badly injured survivor. In their gratitude for the heroism and sacrifice displayed following the September 11 terrorist attack, Americans have made so much of the New York firefighters that one may reasonably wonder if there is anything left to be said. Halberstam shows there is. His special contribution is to anatomize the culture that incubated and nourished these remarkable public servants. After giving a brief history of the station, Halberstam takes the reader inside to see how the doomed unit functioned and how the men got along with each other personally. Although most of them were from New York's tightly knit ethnic enclaves, they were still a wonderfully diverse lot.

Thank you! Peeled emotional energy characterizes this portrait by Halberstam War in a Time of Peace , , etc. The notoriously insular firefighting community doesn't accept strangers in its midst, let alone confide in an outsider, and most of the subjects are dead. Halberstam is striving to achieve sympathetic yet realistic characterizations of men he never met, most of whom were very young. Understandably, some portraits are more rounded than others, but only a few are pastiches of impressions that fail to jell. More often, the descriptions click, Halberstam succeeds in bringing his subjects back to life, and we ache as we suddenly remember that this man is no more.

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NONFICTION ABOUT 9/11:

Famed journalist and baseball aficionado Halberstam Summer of '49 presents a short but sweet account of the lives and friendship of four ballplayers from the legendary Boston Red Sox teams of the s: Ted Williams, Dominic DiMaggio, Johnny Pesky and Bobby Doerr. Told in a series of flashbacks as DiMaggio and Pesky drive from Massachusetts to Florida to see an ailing Williams for what was probably their last time, Halberstam's story is less a biography and more a reverie for "men of a certain generation, born right at the end of World War I" who "had seized on baseball as their one chance to get ahead in America. As in his other sports books, Halberstam has a great eye for the telling detail behind an athlete's facade, whether it is Williams's sense of himself as "a scared, unwanted, unloved kid from a miserable home" or Pesky's stoic acceptance of being blamed for the Red Sox's loss in the seventh game of the World Series, when in fact—as Halberstam clearly shows—it was not Pesky's fault at all. Fans of Halberstam's work will be satisfied by his chapter-long description of that crucial World Series game. But that is merely the more obviously exciting part of a book in which the main pleasures are more quiet glimpses of the four friends, including Doerr's calming influence over the more explosive Williams, DiMaggio's heroic fight against Paget's disease and the friends' final, touching meeting with Williams in Florida. View Full Version of PW.

In one of the many moving anecdotes in Firehouse —a warm and suitably modest elegy to the 12 men of Engine 35, Ladder 40 who died on Sept. Each time, she would stop, scan the photos of the missing, and burst into tears. When finally asked if she knew one of the deceased, she pointed to a picture of Jimmy Giberson, a man she hadn't known beyond exchanging friendly waves, but whom she had silently adopted as her own "personal fireman. But Firehouse makes it clear that firefighters are rare among people in positions of authority, in that their valor is essentially pure and unimpeachable; unlike soldiers, policemen, or politicians, the only power they really have is to save lives, and that power cannot be corrupted. On assignment for Vanity Fair in mid-October , Halberstam took root in a firehouse on Manhattan's Upper West Side, collecting details about its history and routines and gently inquiring about the men who died at the World Trade Center. When politicians showed up to speak at funeral services, the men would brutally lampoon their purple rhetoric in private afterwards. In an elegant narrative that weaves in and around the chronology of Sept.

1 COMMENTS

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