Modesty blaise comic strip online

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modesty blaise comic strip online

Modesty Blaise (Modesty Blaise, #1) by Peter ODonnell

Note, May 19, 2016: I just edited this review to correct one misspelled word.

British author Peter ODonnell created the iconic character of Modesty Blaise in 1963 as the heroine of an action adventure comic strip. He didnt do the art work for the strip (that was done by four successive artists altogether), but he was responsible for the storylines and printed matter during the whole 38-year run, continuing until 2001. (These original strips are currently being reprinted as a series of graphic novels.) It quickly proved popular enough that 20th-Century Fox enlisted him to write a screenplay for a spin-off movie, which he did. However, he approached the character and the project seriously; and the filmmakers decided that they wanted to produce a parody of the James Bond films instead. So, they brought in another writer to rework his screenplay, and ended up only keeping one sentence of it. Surprisingly, though, they asked ODonnell, not his replacement, to do the novelization. He did --but he used his screenplay as the basis. That became the book Im reviewing here, which was published in 1965 and sparked a long-running series of novels and stories, all with original plots distinct from those of the comic strips. (Meanwhile, the movie, with its caricature of Modesty in the main role, hit the screens in 1966, but failed to spark any fan enthusiasm comparable to what the books and comics generated.)

ODonnells Modesty is a fascinating, complex and layered character, with an unusual back-story thats provided in its basics at the beginning of this book, but fleshed out more as the tale unfolds. Born about 1939 --she doesnt know exactly when, nor what her real name and nationality is-- she was orphaned as a small child in the chaos and atrocities of World War II, and wandered alone through the Balkans and Middle East, sometimes living in refugee or DP camps. Exposed to a lot of danger and brutality, she survived against all odds because she learned to defend herself and to develop a tough, pragmatic mentality. As a tween, she was mentored by another refugee, a former university professor (whom she protected, rather than the other way around) who taught her a great deal; intelligent and gifted with a good memory, shes well-educated as a result. Winding up in Tangier at 17, she soon succeeded to the leadership of a criminal gang, and built it into a substantial international organization, the Network, that engaged in art and jewel thefts, currency manipulations, smuggling, and intelligence brokering. She did NOT, however, engage in drug or sex trafficking (and sometimes provided the authorities with tips that enabled them to bust drug operations); her criminal activities violated the law, but never her own personal moral code and sense of honor. (It was during her Network days that she forged her abiding friendship with Willie Garvin, a skilled knife-fighter whose life had pretty much hit bottom until she saw his potential and recruited him; he would become her lieutenant and faithful sidekick.) Having amassed her goal of half a million pounds sterling by the time she was about 25, she turned the Network over to its regional bosses and she and Willie (also wealthy by that time) retired to a quiet life in England.

The book opens about a year later, when shes bored and restive, increasingly aware that shes psychologically geared to find fulfillment and purpose in high-risk physical action, and doesnt feel really alive when shes vegetating without it. At this point, shes approached by Sir Gerald Tarrant, head of British Intelligence (who did business with her, through Willie, when she was brokering items of information that interested the British government). As partial payment to a Middle Eastern sheik for an oil concession, Britain is shipping ten million pounds worth of diamonds from South Africa to Beirut --and there are rumors that the secrecy of the shipment has been compromised, and that someone may be out to steal it. Being aware of Modestys unique wide knowledge of, and contacts in, the international underworld, Tarrant would like her to check this out for him. First, though, shell have another priority on the agenda --rescuing Willie (also bored and restive) from the South American prison where hes awaiting execution, having been a mercenary on the losing side in a civil war.

ODonnell is a master of characterization; not just Modesty and Willie, but all of the secondary characters here too, are wonderfully wrought, full-orbed and realistic. The plotting is taut and well-paced, with no unnecessary filler, and theres a real sense of danger and challenge. Its clear that the author has a very good working knowledge of traditional Arab culture, which adds texture here. Unlike Ian Fleming, he doesnt go in for far-fetched gadgetry, but he does endow his heroine and hero with some believable gadgets and an ability to secrete them on their person. He writes action scenes that are clear, vivid and gripping; and he sets his action in the context of a moral framework --recognizable good is pitted here against genuine evil, and ODonnell makes us root wholeheartedly for the former and despise the latter. Modesty herself is no plaster saint; I didnt approve of everything shes done in her life, or every aspect of her lifestyle now. But I could understand her motivations, and didnt have any trouble liking and respecting her as a heroine --she has a lot of very real virtues, is a born leader and as valiant a fighter as ever lived, cares about others and treats them decently, and respects innocent life (and will spare adversaries lives at times when some people in her shoes probably wouldnt).

At one point, ODonnell makes use of a double coincidence in his plotting, which some critics might fault him for. (But that personally didnt bother me much; I ascribed it to the action of providence.) And while he drops the names of various firearms models to lend verisimilitude to his narrative, he makes a couple of bloopers in his treatment of guns. Also, he describes technical processes at places in the narrative in more detail than I would (I have a low tolerance for that kind of thing), but he usually has a good reason to, and does it with reasonable clarity; some fans will actually regard this as a strength of the writing.

Theres a high body count here, but the violence is handled quickly and cleanly; while some of the villains are sadists, ODonnell isnt. Theres some bad language, and a certain amount of religious profanity, which was the strongest negative for me in that area (theres no obscenity). While theres no explicit sex, its made clear that unmarried sex took place a few times, and theres a clear prospect of more. Willie isnt a bad human being, nor a misogynist, but it would be fair to say that he doesnt get the idea that sex isnt a recreational pastime; Modesty is a young woman with normal needs, but psychological baggage that makes her ultra-wary of commitment in a loving relationship, and that combination can have the consequences we might expect. (Their relationship with each other, though, is perfectly chaste and Platonic, which I appreciated --they genuinely do love each other, and would die for each other, but as true friends, not as erotic partners.) These aspects werent deal-breakers, though; I took them as realistic aspects of who these characters are, which ODonnell depicts for that reason. (A writer needs the courage to let his characters be imperfect humans, since thats the only kind of humans who inhabit the imperfect world!) I took the sexist attitudes of one character in the same light --I didnt think ODonnell was sharing in or justifying them, just realistically depicting the way many males in 1965 thought (and still do).

A final point should be made about the series. In this book, its noted in passing that Modesty has been raped twice in her life. As it stands, thats just a reflection of the tragic fact that women in our world often do face a lot of sexual violence; and she isnt defined by the experience, and doesnt have a victim mentality that allows it to permanently scar her life, which is positive modeling. But Im told by other readers that in the other books (though not the comics) Modesty tends to be raped quite frequently. To me, thats a disturbing amount of sexual violence for one character to have to undergo; and it does seem like a morbid overuse of the motif. But that said, Im still invested enough in this heroine and her future adventures to continue reading the series!
File Name: modesty blaise comic strip
Size: 87157 Kb
Published 29.07.2019

Modesty Blaise (1966) Trailer - Color / 3:35 mins

Thank you. This one is missing from list: Modesty Blaise 42 - Green Cobra
Peter O'Donnell

Modesty Blaise and Peter O’Donnell and the Last Great Adventure Strip

Modesty Blaise is a British comic strip featuring a fictional character of the same name, created by author Peter O'Donnell and illustrator Jim Holdaway in The strip follows Modesty Blaise, an exceptional young woman with many talents and a criminal past, and her trusty sidekick Willie Garvin. It was adapted into films in , , and , and from onwards eleven novels and two short story collections were written. In , a nameless girl escapes from a displaced person DP camp in Kalyros, Greece. She remembers nothing from her short past and wanders through post- World War II Mediterranean , the Middle East , and regions of North Africa , where she learns to survive the hard way.

Open Library

The strip follows Modesty Blaise, an exceptional young woman with many talents and a criminal past, and her trusty sidekick Willie Garvin.,






  1. Flopibkoro says:

    Or Roland and Oliver.

  2. Noralí B. says:

    Following his death on 3 May , obituaries and appreciations for Peter O'Donnell began to appear in a number of places, including the following: May 5.

  3. Ntenterssula says:

    Modesty Blaise and Peter O'Donnell and the Last Great Adventure Strip | The Comics Journal

  4. Fulgencio G. says:

    Modesty Blaise | Newspaper Comic Strips

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