The horse fair was painted by rosa bonheur
Rosa’s Animals: The Story of Rosa Bonheur and Her Painting Menagerie by Maryann MacdonaldPainter and sculptor Rosa Bonheur (1822–1899) led a highly nontraditional life, especially for a woman in the nineteenth century. She kept lions as pets, was awarded the Legion of Honor by Empress Eugénie, and befriended “Buffalo Bill” Cody. She became a painter at a time when women were often only reluctantly educated as artists. Her unconventional artistic work habits, including visiting slaughterhouses to sketch an animal’s anatomy and wearing men’s clothing to gain access to places like a horse fair, where women were not allowed, helped her become one of the most beloved female painters of her time. Among the artworks discussed are The Horse Fair and Ploughing in the Nivernais. Along with her life story are a list of museums that house her work, a bibliography, and an index.
The Restoration of Rosa Bonheur’s 'The Horse Fair' - National Gallery
The Horse Fair
Optional - receive your painting ready to hang. Note we are only able to ship framed paintings up to a certain size. Once the maximum size is reached, the framing option is automatically disabled. If ordered without a frame the painting will arrive rolled inside a protective tube with an extra 1. Rosa Bonheur's canvas The Horse Fair is a depiction of a horse market in Paris, and a smaller reproduction of a larger work exhibited at the Paris Salon of An 'anamalier', a genre of figurative painter which specialized in painting animals, Bonheur was a woman a full century ahead of her time. Making a lucrative career in the wholly patriarchal sphere of classical painting, Bonheur worked at a time when she was required to present a government license to wear trousers whilst in the fields sketching her animal menagerie.
The below artworks are the most important by Rosa Bonheur - that both overview the major creative periods, and highlight the greatest achievements by the artist. She primarily depicted animal subjects and here twelve oxen peacefully plough the land in preparation for future planting. Her focus on the land, the animals and the landscape tell a respectful story of timeless peasant life, work, and tradition. The humble sense of realism that emanates from the canvas recalls that work of Camille Corot and Gustave Courbet. Similar to the Realists, Bonheur presents man and nature working seamlessly together to yield harvest from the land. Bonheur's masterful use of a series of diagonals leads the viewer into and around the sunlit composition.
If there were such a thing as reincarnation, the 19th-century French painter Rosa Bonheur would surely spring back to life as a lion. Fond of these lordly beasts, she kept a pet one named Fathma, and her undated oil painting ''Lioness,'' a big regal cat looking guardedly out at the world, could quite possibly be a self-portrait. Her talent did not rise above the academic. But her unconventional life and a gift for publicity helped make Bonheur a legend in her own time. Although her work -- admired by Delacroix, no less -- is far less interesting than her persona, she is one of the few women remembered in preth-century art history. Now the small but ambitious Dahesh Museum, a stronghold of 19th-century academicism, is out to rectify that.