To be or not to be article
To Be or Not To Be: A Chooseable-Path Adventure by Ryan NorthTo Be or Not To Be is a choose-your-own-path version of Hamlet by New York Times best-selling author Ryan North. Play as Hamlet, Ophelia, or King Hamlet--if you want to die on the first page and play as a ghost. Its pretty awesome! Readers can follow Yorick skull markers to stick closely to Shakespeares plot, or go off-script and explore alternative possibilities filled with puzzles and humor.
Each ending in the book is accompanied by a full-color, full-page illustration by one of the 65 most excellent artists working today, so each rereading yields new surprises and rewards. Ryans prose is, as always, colloquial and familiar but full of clever references, vivid imagination, and only the most choice of jokes. Inventive devices like a book-within-a-book (to mirror Hamlets play-within-a-play) take full advantage of the gamebook medium and liven up the original story for even the most disinterested of Shakespeare readers!
To Be or Not to Be became a sensation when it launched: over 15,000 people backed the book in just one month, and it remains the number-one most funded publishing project ever on Kickstarter.com.
To be, or not to be: that is the adventure!
The Sonnet Man: Hip Hop Hamlet, To Be Or Not To Be
Analysis of the “To Be or Not to Be" Soliloquy in Hamlet by William Shakespeare
Today's Date: September 23, In the first act of the play, Hamlet full character analysis of Hamlet here curses God for making suicide an immoral option. O God! At this point in the plot of Hamlet, he wonders about the nature of his death and thinks for a moment that it may be like a deep sleep, which seems at first to be acceptable until he speculates on what will come in such a deep sleep. After posing this complex question and wondering about the nature of the great sleep, Hamlet then goes on to list many sufferings men are prone to in the rough course of life, which makes it seem as though he is moving toward death yet again. Although at this last moment Hamlet realizes that many chose life over death because of this inability to know the afterlife, the speech remains a deep contemplation about the nature and reasons for death. All Rights Reserved.
Even if you're a regular visitor to London, it's probably never occurred to you to stop in to see William Shakespeare's original manuscripts at the British Museum or Library. That's just as well. There are no original manuscripts. Not so much as a couplet written in Shakespeare's own hand has been proven to exist. In fact, there's no hard evidence that Will Shakespeare of Stratford-upon-Avon , revered as the greatest author in the English language, could even write a complete sentence. Is it any wonder that controversy swirls around the authorship of the sonnets and some 37 plays credited to him?
The lesson? Keep it simple. Good copy is written in clear, concise, simple words that get your point across. You can fracture the occasional rule of grammar too, if it helps to make your writing more digestible. Sentence fragments, one-sentence paragraphs, beginning with conjunctions and ending in prepositions are all fine, even desirable. Studies have shown that more than 50 percent of students at four-year universities and more than 75 percent at two-year colleges in the United States could not:.
In the speech, Hamlet contemplates death and suicide , bemoaning the pain and unfairness of life but acknowledging that the alternative might be worse. The opening line is one of the most widely known and quoted lines in modern English, and the soliloquy has been referenced in innumerable works of theatre, literature and music. This version preserves most of the First Folio text with updated spelling and five common emendations introduced from the Second "Good" Quarto italicized. To be, or not to be, that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take Arms against a Sea of troubles, And by opposing end them: to die, to sleep No more; and by a sleep, to say we end The heart-ache, and the thousand natural shocks That Flesh is heir to? To die, to sleep, perchance to Dream; aye, there's the rub, For in that sleep of death, what dreams may come, When we have shuffled off this mortal coil, Must give us pause. Who would Fardels bear, [F: these Fardels ] To grunt and sweat under a weary life, But that the dread of something after death, The undiscovered country, from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have, Than fly to others that we know not of. Thus conscience doth make cowards of us all, And thus the native hue of Resolution Is sicklied o'er, with the pale cast of Thought, And enterprises of great pitch and moment, [F: pith ] With this regard their Currents turn awry , [F: away ] And lose the name of Action.